
What's Goin' On Campers at Frog Park
Week 2 feels different than Week 1. We are all closer than we were last week at this time. With that closeness comes more trust, more kind words, more comfort sharing our voices, our art, our stories.
The closeness also brings more giggles when we teachers may not think they are totally appropriate, more arguments over who gets to sit next to whom, and generally more distractions that make it a little more challenging to prepare for the big show.
But, it all comes with the territory. And, for better or for worse, we have kicked into a higher gear as we rehearse, refine, and put ourselves in the same position that every other type of artist does when they are doing the hard work of making the best possible art for an audience.
FROM KELLY:
African dance is such a beautiful expression of humanity! I love to watch Masankho work with the students, teaching them about weight exchange, expression, intention and how we honor our ancestors through the dance.
Last week, I told the kids about my own personal experience with African Dancing and Drumming:
I moved to Zimbabwe in 1994 to study ethnomusicology at the University of Zimbabwe. I wanted to study drumming, and my professor took me to the home of Irene Chigamba, one of the few professional female drummers, who also had her own dance company in Zimbabwe. I told her I wanted to study drumming. She replied, “Great, but I want you to dance before you play the drum.”
“Dance? I am dyslexic, I am chubby, I don’t want to study dance,” I thought to myself.
I replied, “I am not a dancer. I am a musician.” She said, “NO! You are an artist. In Zimbabwe, the Shona word “kutamba” means to drum, dance and sing.” There is no separation; these are the art forms we have been given at birth.
For sixth months, I did nothing but dance and sing. I didn’t drum for a long time. She would train me fairly aggressively (throwing sticks towards my direction if I failed-and that happened often!); I would end up in tears and want to give up. Often, the local women of the village knew the “Murungu” (white woman) was coming to learn dance, and they would often bring their knitting, and watch me and laugh! It was one of the most humbling, but one of the most healing experiences of my life.
Now I am still a bit shy dancing, but I know that it changed my life (I’m not nearly as dyslexic in my dancing!), and I learned the drumming for those Zimbabwean dances in just a few days, because I already had the rhythm inside my body!
With the inspiration of KUTAMBA, we asked our students to choose which song they will drum, dance and sing. We have three African dances and songs they will perform. All the students are dancing, drumming and singing. It’s inspiring to see them move, then drum and sing! I am looking forward to the concert this Friday!
On Friday of last week, we all had the opportunity to meet with muralist and Glitter & Razz teaching artist, Martin Brecht, to start creating our altar. Inspired by the song, Ancestor’s Breath, he gave each kid a long strip of paper and asked them to think about the people, animals, and places that came before them. They used pencil, crayon, oil pastel, paint, even glue and collage to represent a variety of images. The kids have been working on it all week so far and it is going to be beautiful when it’s done.




This week, our staff gained Tacuma King, who is back again at What’s Goin’ On. He is definitely a camp favorite as he teaches kids drumming with rigor, enthusiasm, and lots and lots of humor. I haven’t gotten a video of his class yet, but I will, I promise.
Here are some more pics from our trip to Frog Park last week…







